Pages

Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Wednesday, December 16, 2015

POC Christmas in Austin

People of Color Christmas: the White Elephant In the Room.

The title alone is amazing.

And it's amazing that this was accomplished through the vision of what I can only imagine is one woman (Christine Hoang) inspired by a lot of other people (of color).

So this Christmas if you're just a little tired of the same old trail of lights, carol singers at the Domain, and Christmas shows performing  on repeat at theatres this time of year... buy a (cheap) ticket to POC Christmas at Ground Floor theatre.


This is local theatre at its purest.

Tuesday, December 02, 2014

#GivingTuesday

It's #GivingTuesday and this is a not so subtle attempt to market some of my favorite non-profits and tell you where to put your money (spoiler alert, it's not necessarily where your mouth is).

So, here they are, Ann's Top Nine (I don't know why I chose nine) Places to Give this Giving Tuesday...

THE ARTS:

Because, to be frank, art changes people. It may be our best ally.

1. Trinity Street Players. I admit it. I may be biased because I founded this theatre and now I'm helping them out again. But still. It's a theatre. In a church. Where thespians are allowed to be themselves, and make art, and not feel proselytized. It's a nice change from the unfortunate norm. (Note: go to the Trinity Street Players line item to donate).

2. Creede Repertory Theatre. Also a biased choice. This is where I worked over the summer and it's a dream. And an anomaly... considering there's only 400 people living in Creede, Colorado right now.

3.  The Rude Mechs. I love this internationally acclaimed theatre company whose home is ATX. However, they're trying to make the hard decision about staying or going. So, get your money and go vote. (Their marketing team is brilliant).

THE ENVIRONMENT:

What do you care about the most? They alway ask this on those dang surveys that I get in the mail. Check one of the following.... Healthcare, Corruption on Walstreet, Gun Control. Well, needless to say, my X goes next to the environment box, cuz, y'all. Facts are facts. And it's going fast.

4. World Wildlife Fund - "WWF’s work has evolved from saving species and landscapes to addressing the larger global threats and forces that impact them." And, pandas.

5. The Conservation Fund - "From Alaska’s North Slope to Maryland’s Eastern shore, we’re working with groups to protect lands that that will allow vulnerable species to move and adapt." This is smart work.

6. PETA - Because people who are cruel to animals suck. And don't get me started on what it says about our culture that we have puppy farms and factory farms.

HEALTH:

Because, cancer.

7. St. Jude Children's Research Hospital. Enough said.

Oh and ALS. Because our healthcare system is pretty corrupt, and trying to get resources to survive is pretty difficult.

8. The ALS Association.

OTHER:

9. NPR. Because, news and art. It's a lifesaver on those long drives. And its refreshing to know that thoughtful people still exist and are telling theirs and other's stories. 

Wednesday, September 17, 2014

Big Burn

One of the interesting tidbits about the tiny town of Creede, CO is the plethora of artists who reside here. Whether its a TV throwing Cannon Ball Man or the distinct paintings of Mr. Quiller, or Mandy Patinkin himself, there are a lot of creative folks in these mountains.

One such person is Bev Chapman. Some of you Missouri and Kansas folk may remember her from KMBC. Now, however, she's specializing in film, and I saw Bev's work earlier this summer at the premier for her short film, Big Burn.

This documentary tells the story of what I have come to know as "the fire." Frequently referenced around town, whether discussing finances or tourism or residual injuries, the topic at hand often turns to "the fire."

What is "the fire?" Well, that's what I wanted to know. So I went to the completely packed movie premier where I met the sunny and lovely Bev Chapman, who shared the San Luis Valley's Fire story with me.

Check out the trailer.



From boy scouts to business owners, few went untouched. And the ones who did, tell the story here. If you'd like to check out the full movie, it will be available after it's premiered in a few film festivals. Until then, stay tuned, and maybe drop a few coins in the Creede Community Relief Fund which was started to help those who lost so much in "the fire."

And kudos to Bev and all the other artists who continue to tell the story of this amazing little town.

P.S. Quiller has an amazing Beauty in the Burn painting series. Check it out too!


Sunday, May 27, 2012

Blood Brothers, Then And Now.

Trinity Street Players presents the Austin premier of Blood Brothers June 2-24th!  Reserve your free tickets now!

That's the now.  Here's the then.

Back in High School, my friend Moxi (yep, you've heard of her before) went on vacation and returned to St. Jo Mo having seen Blood Brothers.  Her addiction soon became my addiction and we added it to the list of musicals we routinely performed at the upright piano in her small bedroom behind the Budget Inn.  

This is Mox's and my senior pic.  Oh snap!

Wednesday, December 28, 2011

2011, A Review

So it's the end of 2011. Let's review.

In case you are curious, here are the ten most amazing cats (according to Animal Planet). My favorite is the barking cat, though I do love me some inter-species communication!

And it was a pretty amazing year for me too.

I played Eva Peron in Evita, chorus girl #8 in Stop the World I Want To Get Off and Amalia Balish in She Loves Me in Georgetown, Austin and Wimberley, Texas. I wrote some things and sometimes spoke what I wrote to large groups of people... once in Guatemala... and once at my grandpa's funeral. When I wasn't singing or writing or preaching, I was changing diapers; nannying is my day job. I vacated in Colorado, at Disney World and went home to St. Jo Mo a record three times this year (and none of those was Christmas!). I turned 33 and threw myself a Jesus Died When He Was My Age Birthday Party. I had a boyfriend for a while and spent the rest of the time dating republicans, millionaires and men much older than me. I don't know what I was thinking either. And then I had a tonsillectomy. A rough ending to an exciting year.

Ugh that was horrible. Think about kittens... christmas... puppets! Let's see what Jibjab has to say about 2011.


Yeah, that doesn't make me feel much better. And when I look at the most infamous oopsies of 2011 (according to Yahoo), I don't know whether to laugh or cry.

So back to animals. Here's the top 10 Animal stories of 2011 (according to Huffington Post).

In theater, here's the 10 best things on Broadway (according to the Hollywood Reporter) that you can feel free to take me to see anytime in 2012 :)

And speaking of art, here's the 14 most inspiring looks (according to Fashion Gone Rogue) of 2011. O to be beautiful and have someone paint my face and let me wear amazing costumes. Le sigh.

Are you getting all health conscious since the New Year (and its resolutions) are right around the corner? Check out the 10 most amazing biomedical advancements of 2011 (according to New Scientist)

Speaking of breakthroughs, the NRDC emailed me this, thanking me for the work I did (donations made, petitions signed, letters written) to help make a world of difference in 2011 :)


But damn we still have a long way to go.

Not even mentioning the environment, Reuters has the most depressing overview of 2011 though their layout is pretty cool. (The only positive thing they dipicted was Britain's Royal Wedding).

But never fear! Because I believe that hope prevails, that love wins, Google's overview is probably my favorite... :)


Thursday, April 09, 2009

My Friends Are Famous


Artist, Aaron Sacco is featured in this article about his new work that you've probably seen on TV. Check out his blog of art here. Congrats, Ren!

Thursday, April 03, 2008

An Unfortunate Seminar

While Tuesday's experience at Austin's Transforming Culture Symposium was exciting, Wednesday's had a major letdown. More like a let-my-blood-pressure-go-up downer. I went to a break-out session on Preaching and besides it being not all it's cracked up to be (all conferences have so-so sessions - it's inevitable), the man who spoke, Reg Grant, was terribly offensive and for lack of a better word, conservative. I will try and find a better word as I go along so as not to make a blanket statement such as he made throughout the presentation. I will also comment on two areas: one, his content and two, his beliefs about preaching and theology.

Let me preface by stating some of the things I liked...
"If you want to read a good book on preaching, you should just read good literature. It will help you be a better preacher." Agreed!
"Our liberal friends..." Although I do not consider myself liberal (liberal in my opinion is denying the divinity of Christ), I appreciated that he didn't just say, "the liberals" or insert any negative word before liberal but instead called "us" (I'm assuming he would label me as such) friends. That was a nice touch. Although I probably would have just said, "other scholars..."

Now onto content.

He spoke on archetypes in narrative stories, especially movies. Great stuff. If you've ever taken a literature class, you've probably studied some form of what he spoke of. It reminded me of my seventh grade Odyssey class (think talented and gifted program) when we were preparing to read Beowulf. He worked from the ideas set forth by Christopher Vogler in The Writer's Journey who relies heavily on Joseph Campbell. Reg walked us through several movie examples of this model, then took a couple Biblical narratives and applied it. This exercise proved interesting and insightful though I didn't agree with Reg entirely on who he made the allies and enemies in Ruth, but whatever. People have different interpretations. That's the joy of scripture. He was obviously well versed and had done a lot of research on narrative. He's from DTS (did I mention that? - and no! - I did not know that going into the break-out), so I figured I wouldn't agree with him on everything, but I did figure I could still learn a lot and hopefully be able to dialogue, if not with him or the class, within myself over ideas.

However, his thesis was something along the lines of "all stories follow this basic archetypal outline in some form or another and God is the ultimate Author of this narrative structure and works His [sic] will in dominantly the same way." Okay... a bit heavy on the God stuff about how God works in the world (evidenced by his reference to dispensationalism which he assumed we all agreed with - ugh!) He also asserted that any movies that haven't followed this structure have been blockbuster busts. While this is a good start to evaluating movies and books, at some point Reg's argument breaks down. And some of us in the class pointed this out: our Academy Award winners and nominees this year There Will Be Blood and No Country For Old Men are perfect examples of this. There is no Resurrection. There is no return with the Elixir. There is no return to Ideal Place or Ordinary Time such as he presented it. So while this is a good, elementary model for understanding narrative, it is, as most models are, not all-encompassing. And certainly not all good movies follow this model. (Side note: an interesting discussion would be, what model do non-traditional movies tend to follow if not the typical archetypal model?)

Now, his ideas on preaching. And this is where I moved from quietly-disagreeing-at-times-but-still-interested into outright embarrassment, shame, anger, and a host of other feelings from being stuck in that room.

The question was asked, "What's an appropriate way to use a movie in a sermon illustration?" Oh I try not to use movie clips in sermons because they upstage you. Movies use excellent writers and famous actors and brilliant cinematography. You as the preacher need to be the best one speaking to the people so they hear your important message and that's hard if you're showing a movie clip. Plus, I never want to be caught endorsing a movie from the pulpit. Even if you say "I don't agree with this movie, but there's a good scene that shows..." you're endorsing the movie.

To which I would respond, "We're at a symposium on art right?" I mean, why spend an hour talking about archetypes and brilliant movies and be asked to teach on "PREACHING - Perspective on Preaching Narratively and Artistically" and veto the idea of using movie clips? Films are art! Art is good! Even if it's produced by people "in the world" (insert ominous voice). Even if it's art created by people who "need our prayers" (when introducing one author, Reg noted that although his book was good, he wasn't sure if he was a Christian and we should pray for him). It's good! Art inspires thought and beauty and is important in a worship setting! You don't have to show a movie clip every week, but you sure as heck shouldn't feel discouraged from using them at all!

Question two: "Who are some examples of good narrative preachers?" Excellent, I thought and began forming my own list. Barbara Brown Taylor, Fred Craddock... Baylor had a study several years ago naming the Top Twelve Most Effective Preachers in the world. Reg didn't mention one of them. He did say this though... Emergent people like Brian McLaren are narrative preachers but their theology is so bad it's difficult to listen to them. I have heard one good sermon by Rob Bell though. (Long pause). It's just hard. Sometimes there is a nugget of good in what they say. And they do reach out to culture and say some good things, but it's layered in bad theology. So... (shoulder shrug). The problem with these narrative preachers is that they tell a really great story and then tack a bible story on the end and expect it to relate. They expect that to make what they just said a sermon. And that's an unbiblical, unsound sermon. (Um... aren't you supposed to be speaking on Narrative Sermon? Why are you saying this? Are you still just reaming on the Emergent peeps?)

Then, in a response to another question about truth-telling he said, You have to give your congregation one thing and repeat it over and over so that they are sure to get it. Make sure they hear and walk away with it. At this point I raised my shaking hand and praying my neck wasn't too red from embarrassment and anger I said, "I heard Barbara Brown Taylor speak last year and she actually said that as preachers we should feed our congregation good food, but not chew it up for them. In other words, present them with thoughts, but let them process. Is that in direct contrast to what you're saying?" No, Reg responded. And then he gave an illustration about his three year old daughter and Easter. She couldn't see the eggs hidden in the grass because she was so small and didn't have the perspective her father did. So he'd lead her to an area, pull back the grass and lo! she'd "found" the egg. She's pick it up and marvel at her discovery. If he had picked it up, they would have had to go find another egg, but because his daughter had picked up the egg where her father had led her and pulled back the grass for her to see, she was excited and proud about her discovery. So too, when he preaches can he lead the congregation to the point where they can elbow their neighbor and say, "I know where he's going with this!" and feel like they figured it out. But the preacher had to take them there, the preacher had to pull back the grass, but he lets the people pick up the egg.

Well, no. Actually, I think those are two different ways to describe preaching entirely. Your congregation is comprised of adults, not children. And they have brains and perspective and don't need to be spoon-fed and get excited about figuring out you've fed them cheerios and not spinich. They can pull back their own grass! Or heck, they can explore the field! They're Baptists! They're encouraged to think on their own and come to their own conclusions, meditate on the scripture, weigh in their experience and reason within themselves about their faith. We may bring a message, but we're not mama birds that we have to chew it up and spit it into their mouths. They can survey the feast of faith and devour it too!

Ugh. I'm tired of writing about this. I shouldn't have perhaps, but lest someone buy the CD's or attend the next Symposium and feel slighted because I gave a booming report the first day - I'm now on record as saying there were some questionable moments, it is true. The choice to bring in this speaker was one of them.

Sunday, December 04, 2005


Thank you God for a dance instructor who loved art and never released that passion to age. Thank you God for a dance instructor who loved me and encouraged me and helped me learn to love the world in so many new ways Thank you God for a dance instructor who knew what it meant to lose and carry on. Thank you God for a dance instructor who always asked about me and reminded me that dance originated in the church...